Talawa | Lafamillemusic's UploadsLast Lafamillemusic's uploadshttps://talawa.fr/images/logo_mail.pngThu, 18 Apr 2024 04:08:15 +0200Samira, Tibal & Victahttps://talawa.fr/feed/atom/profile/LafamillemusicTalawa<![CDATA[Sister Zari & Bass Culture Players - Progresar en Humildad / Dub]]>https://talawa.fr/media/sister-zari-bass-culture-players-progres-S9IFFFri, 24 Jul 2015 14:22:59 +0200LafamillemusicAudio > Production But it is the sound of Sister Zari's 'Progress in humbleness' on to of Bass Culture Players hypnotic rhythm. Floating, surrounding, conscious. Times of concord in search for the positive change.
Tracks: sister Zari - Progresar en Humildad Bass Culture Players - Autodidactism in dub
Recorded and mixed by Puppa Shan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppa Shan, Madrid 2015.
Under creative commons license Attribution-No Comercial*-No derivatives 4.0. International *Commercial use is allowed to street vendors that sell in their manta.
You are free to copy & distribute this work. Licensed under creative commons 4.0.
Featuring : Lafamillemusic Category : Audio > Production Total size : 8.47 MB • Total length : 0:09:15]]><![CDATA[Send Dem To Prison / Jailhouse Version]]>https://talawa.fr/media/send-dem-to-prison-jailhouse-version-YmkkGSun, 24 May 2015 23:09:36 +0200LafamillemusicAudio > Production Rage turns into strenght with Yeyo Pérez over Glen Brown's Greenbay Killing / Youthman riddm to give back justice its meaning. Sem Dem All! credits
Send Dem To Prison by Yeyo Pérez is licensed under a Creative Commons Attribution-No Comercial*-No derivatives 4.0. International *Commercial use is allowed to street vendors that sell in their manta.
Featuring : Lafamillemusic Category : Audio > Production Total size : 7.80 MB • Total length : 0:08:30]]><![CDATA[Meditation Rock / Version]]>https://talawa.fr/media/meditation-rock-version-wpCRoSun, 24 May 2015 23:04:24 +0200LafamillemusicAudio > Production Uplifting sounds from tip to toe. Meditative and deep vibration on a Bass Culture Players Riddim.
Tracks: Marta Mansilla - Meditation Rock Bass Culture Players - Meditation Version
Mixed by Puppa Shan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppa Shan, Madrid 2015.
Under creative commons license 3.0. Spain
Featuring : Lafamillemusic Category : Audio > Production Total size : 10.57 KB • Total length : 1:12:50]]><![CDATA[Prento - No Time + Version]]>https://talawa.fr/media/prento-no-time-version-wtSlbThu, 27 Feb 2014 10:53:34 +0100LafamillemusicAudio > Production Bass Culture Players ft. Prento - No Time
Back-A-Yard label, settled in Madrid (Spain), proudly releases a new single, after We are a Crowd (November 2013). This new work called No Time claims about adversity and insecurity, in a righteous and sober mood.
Puppashan´s production recreates a narrow space built by self consciousness. Bright sintes arise from its clear atmosphere, which becomes the perfect mean to connect with the lyrics and vocals from the debutant Prento.
Nevertheless, it´s difficult to elude the collective perspective that No Time brings. Line by line, the message contained in the lyrics flows inside out.
Bass Culture Players display their accuracy and capacity in generating several and different textures. Puppashan mixes the dub version too, in a completely instrumental track which manages to dig deeply in the message without using the vocals. As a result, this is a brilliant revival of the digital sound from the 80´s.
In short, Back-A-Yard and Disco Inferno appear for the first time this year taking a right step. Sometimes a negation brings us the right way.
Tracks: Prento - No Time Bass Culture Players - No Time Version
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2014.
Under creative commons license 3.0. Spain
Featuring : Lafamillemusic Category : Audio > Production Total size : 6.35 MB • Total length : 0:06:55]]><![CDATA[Djemetta & Bass Culture Players - The Mess]]>https://talawa.fr/media/djemetta-bass-culture-players-the-mess-CUa99Sat, 04 Jan 2014 21:54:43 +0100LafamillemusicAudio > Production Djemetta warms his voice to start with a wisper, as suggestive as tricky, as he rapidly displays a straight and solid "speech" which perfectly fits in Discoinferno productions. The sweetness and softness of his voice is backed by a calm but firm riddim, slightly stretched by Bass Culture Players.
Djemetta´s voice arises softly, but vanishes disturbly with a pretended innocent tone which wraps a conscious complaint about radio-formulas and MTV´s, the petty evidence of a bigger fraud.
Don’t tell me that you have never suspected
If the sponsor of the song is the responsible of debt
As sober and concluding as Djemetta´s vocals, Puppashan´s dub version keeps the beat on a persistent bass line strenghtened by agil and powerful percussions. Djemetta´s phrases reappear and vanish again in a suspicious atmosphere, evidence of this unbearable falseness.
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2013.
Under creative commons license 3.0. Spain
more info: http://basscultureplayers.bandcamp.com
Featuring : Lafamillemusic Category : Audio > Production Total size : 7.32 MB • Total length : 0:07:58]]><![CDATA[Bass Culture Players ft. Javier Ochoa - We Are a Crowd + Dub]]>https://talawa.fr/media/bass-culture-players-ft-javier-ochoa-we--yqyqWTue, 19 Nov 2013 11:54:07 +0100LafamillemusicAudio > Production It seems it was yesterday, but it has been more than 12 years since that epic text* that shook european disobedience movement was written, short before Geneva Summit
"They say that they are new, they christen themselves by acronyms: G8, IMF, WB, WTO, NAFTA, FTAA… They cannot fool us, they are the same as those who have come before them: (...) the old world that stopped our assaults and destroyed all stairways to heaven.
Nowadays they have a new empire, they impose new servitudes on the whole globe, they still play the lords and masters of the land and the sea. Once again, we the multitudes rise up against them."
Yes, we are a crowd. Javier Ochoa has his mind clear and his rethorical questions quickly finds the answer in this track, full of consciousness, pride and (re)assertion
Yes, we are a crowd. We are no longer doubtful. That is what we are: little, young and old, fighting for our rights, armed with our words and bodies.
And our music: derlivered once again by Bass CUlture Players, this time under the Back-A-Yard label. This deep and solid riddm seems tailor-made for the message and vocals of Javier Ochoa. Puppashan complets the work with a penetrating dub splattered with sparks.
And judging by its latest releases, anyone could think that Discoinferno holds on to our time's pulse. Our time, where doubts, fears and questions transform into affirmation:
Yes, we are a crowd.
___
* From The Multitudes Of Europe Rising Up Against The Empire. Wu Ming, Springtime 2001. http://www.wumingfoundation.com/english/giap/Giap_multitudes.html
Side A Javier Ochoa - We Are a Crowd
Side B Bass Culture Players - Dubbing The Crowd
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2013.
Featuring : Lafamillemusic Category : Audio > Production Total size : 8.02 MB • Total length : 0:08:44]]><![CDATA[Bass Culture Players ft. Dani Ites - Sunday Carnival]]>https://talawa.fr/media/bass-culture-players-ft-dani-ites-sunday-0nQDcMon, 07 Oct 2013 12:47:10 +0200LafamillemusicAudio > Production After Temple Riddm's proclaims in spanish and compelling brass section, Dani Ites takes charge with his melodica in this second release of Dojo label. This musician form Barcelona offers a vibrant and energetic track over a Bass Culture Players riddim, which surfs from roots to 80s and 90s dub sounds. Puppashan delivers again a definitive and precise cut, adding the unmistakable Disco Inferno dub touch.
Sunday Carnival: a beam of energy released for change.
Side A Dani Ites - Sunday Carnival
Side B Bass Culture Players - Dub Carnival
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2013.
More releases: http://basscultureplayers.bandcamp.com
Featuring : Lafamillemusic Category : Audio > Production Total size : 9.29 MB • Total length : 0:10:07]]><![CDATA[Bass Culture Players - Temple Riddim]]>https://talawa.fr/media/bass-culture-players-temple-riddim-zPCeEMon, 26 Nov 2012 01:51:27 +0100LafamillemusicAudio > Production Free Download: http://archive.org/download/BassCulturePlayers-TempleRiddim/LfmD10002BassCulturePlayersTempleRiddim.zip
This project, settled in Madrid, launches Dojo, a new label for recovering and spreading roots, organic and digital Jamaican music.
This release has focused on digital roots from the 90´s and 2000´s, building a powerful riddim on a smashing bass line, featuring different artists.
Vocal versions are performed by two Spanish artists: Yeyo Pérez (Madrid) burns the track with his blasting voice singing “Nos la quieren colar”; Pequeño Zergiote (Ponferrada) sings is inflammable lyrics in “Ríe ahora, llora luego”.
These conscious vocal versions in the B side share a same social demanding line. Another instrumental version named “Ocuppy the Streets” is guided by Cultural Horns, leaded by David Fullwood (Ital Horns, Zion Train…), Jonás Reguilón and Marcos Crespo (Emeterians), playing an encouraging melody. As an ending, “Dub The Streets” heavy weight version.
This work has been produced and mixed live by Puppa Shan at Discoinferno Studio, and mastered at Rollover Studios (London) by Oscar Pablos “Ojah”.
According to Bass Culture Player´s ideological background, the album has been released under Creative Commons 3.0. license.
Keep your ears and eyes open, more music is coming…
Side A Yeyo Pérez - Nos La Quieren Colar Pequeño Zergiote - Ríe Ahora Llora Luego.
Side B Cultural Horns - Occupy The Streets Bass Culture Players - Dub The Streets
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2012.
Under creative commons license 3.0. Spain
Featuring : Lafamillemusic Category : Audio > Production Total size : 16.13 MB • Total length : 0:17:34]]><![CDATA[Bass culture Players - Dub Box]]>https://talawa.fr/media/bass-culture-players-dub-box-MYnlXSun, 18 Dec 2011 22:12:07 +0100LafamillemusicAudio > Production Free Download from: http://www.archive.org/download/BassCulturePlayers-DubBoxShowcase/LfmNet004-BassCulturePlayers-DubBox.zip
Puppashan is a Jamaican rhythms lover and precursor in Spanish reggae music. He has worked in different projects related to this music, such as Brentford Road fanzine, Bass Culture Reggae Radio Show or the soulful reggae band Hotdrop. He has developed his career as an autodidact producer and shows his work in this new project: Bass Culture Players.
This showcase is a compilation of five singles (and its five dub mixes) recorded between 2008 and 2011. Puppashan has worked with some of the best Spanish reggae musicians, from bands like Tasty Grooves, Hotdrop, Amalgamah, Rockers roots… “Dub Box” has two special collaborations: producer Dani Ites plays melodica in “Rally Round”, and Ranking Forrest, the genuine deejay from California, works in the vocals of “Gwaan Good”.
Discoinferno is the studio where this production takes place, using analogical techniques and equipment, which have generated a whole range of sounds and shades, evocating different ages and places. The mastering has been carried out in Rollover Studios (London) by producer Oscar Pablos a.k.a. Ojah, who boosts the vintage textures that wrap up “Dub Box”.
This 10-track compilation rescues the essence of Jamaican productions, and brings it to this modern age where physical releases have lost much of its importance. “Dub Box” musical and graphic work has been developed from the respect and admiration to Jamaican music.
Faithful to DIY conscience, this production is under Creative Commons license, available for free download here: http:// basscultureplayers.bandcamp.com
Bass Culture Players will be back soon with more of its personal productions, inspired in jamaican music.
Playlist:
1.- Destiny 2.- Dub Destiny 3.- Gwaan Good ft. Ranking Forrest 4.- Gwaan Dub 5.- Rally Round ft. Dani Ites 6.- Rally Round Cut 4 7.- Again & Again 8.- Dub Again 9.- Reggae Music 10.- Dub Music
All tracks composed by santi mijarra. recorded between 2008-2011 @ bus stop records, el gato verde, observatorio, and discoinferno. Produced, mixed & arranged by puppashan and bass culture players @ disco inferno. Mastered by oscar pablos 'ojah' @ rollover studios, london Cover photo, art & concept: puppashan Lafamille music / discoinferno ltd., 2011
Contact: basscultureplayers at gmail.com www.basscultureplayers.bandcamp.com www.bassculture.tk
You are free to copy & distribute this work. Licensed under creative commons 3.0.
Featuring : Lafamillemusic Category : Audio > Production Total size : 41.00 MB • Total length : 0:44:40]]><![CDATA[Bass Culture Players - 8 for 8 Riddim]]>https://talawa.fr/media/bass-culture-players-8-for-8-riddim-2H5tjSun, 18 Dec 2011 22:11:56 +0100LafamillemusicVideo > Other video Sammy Gold, Ranking Forrest, U-Rie & Bass Culture Players - 8 for 8 riddim
Side A Sammy Gold - Police & Bad Bway Ranking Forrest - Good Company
Side B U-Rie - Si te Olvidas Bass Culture Players - 8 For 8 Version
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2011.
Under creative commons license 3.0. Spain
Featuring : Bass Culture Players, Ranking Forrest, Sammy Gold, U-rie Category : Video > Other video Total size : 88.22 MB • Total length : 0:22:56]]><![CDATA[Bass Culture Players - 8 for 8 Riddim]]>https://talawa.fr/media/bass-culture-players-8-for-8-riddim-5LSA8Sun, 18 Dec 2011 21:42:33 +0100LafamillemusicAudio > Production Download for free @ http://www.archive.org/download/BassCulturePlayers-8For8Riddim/LfmD10001BassCulturePlayers8For8Riddim.zip
Paying a fresh tribute to the 80s, we present a proto-Jammys rhythm, produced and analog mixed by Puppashan at Discoinferno with the collaboration of 3 outstanding vocalists:
Opening the "8 for 8 Riddim" we present Sammy Gold, one of the most requested artists of our digital era, master of timing, recently involved in productions all over Europe. High quality and style. Ranking Forrest mash up the dance with he’s massive sound. Session Deejay for A-lone Muzzic Studio, Ranking Forrest rides on the rhythm as if Tonto or Irie Pappa Tullo, pure deejay! U-Rie presents “Si te Olvidas”, a voice that surprised us this summer with his “Digital Showcase" edited by Neblina Sound / Lafamille Music, along with 3 pure 90's digital cuts. Watch out for his tune on the "8 for 8 Riddim"!
Check out the essential dub versions by Bass Culture Players and Digital Posse. Dubwise!
Marking the 10th anniversary of Bass Culture Reggae Radio Show we present this a 10" digital "8 for 8 Riddim", launched by Back-A-Yard, a digital virtual label subsidiary of Lafamille Music.
As usual in Discoinferno productions, this "One riddim" is released under Creative Commons license and you can download free from http://basscultureplayers.bandcamp.com
Side A Sammy Gold - Police & Bad Bway Ranking Forrest - Good Company
Side B U-Rie - Si te Olvidas Bass Culture Players - 8 For 8 Version
Mixed by Puppashan @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Rollover Studios, London, Uk. Produced by Puppashan, Madrid 2011.
Under creative commons license 3.0. Spain
Featuring : Lafamillemusic Category : Audio > Production Total size : 13.79 MB • Total length : 0:15:02]]><![CDATA[U-Rie - Digital Showcase]]>https://talawa.fr/media/u-rie-digital-showcase-NjCHmThu, 18 Aug 2011 02:29:46 +0200LafamillemusicAudio > Production U-Rie's promotional showcase finally out! This first solo work definitely marks the name of this versatile artist, delivering four blazing new and entirely original songs.
Impeccably produced by Puppashan and performed by Bass Culture Digital Posse, it could fit perfectly within the narrow scene of 80's and 90's digital roots reggae. By diving tersely into the dense atmosphere of this forgotten decade, the riddims capture the essence without sounding like copies or versions.
Strictly available for digital download, the showcase format is noteworthy, with four vocal versions and their four matching dub versions, that express both the true Jamaican tradition, and the hottest new trends.
U-Rie's sensational talent already tells us that we are looking at a star to come.